Today I have in a cool exercise for painting in a single value from One Painting A Day: A 6-Week Course in Observational Painting--Creating Extraordinary Paintings from Everyday Experiences
and a bit of info about a
Book Launch Party!
at the
William Busta Gallery
Saturday June 15th 2-4pm
Please join Timothy Callaghan for a gathering to celebrate the release of his new book One Painting A Day.

This book is all about painting the things around you and boy does this balled up piece of paper look familiar to me! Try this exercise for painting a single value from One Painting A Day: A 6-Week Course in Observational Painting--Creating Extraordinary Paintings from Everyday Experiences:

Value refers to the relative lightness or darkness of a
color. In representational painting, the most fundamental
application of value is to give a two-dimensional shape a
volumetric form. This is achieved when a color moves
from dark to light in gradual shifts within the shape.
Value also refers to light and how it informs the subject
in a painting. For this painting, I wanted to explore these
concerns with one object and a limited palette. I chose to
look at a crumpled piece of notebook paper with the
light source behind it in order to show very subtle shifts
in value and a dramatic cast shadow.
EXERCISE 2
A white still life is a great subject for exploring
value. Choose one to three objects that are white
or at least are neutral in color. Light your subject
with a direct source, like a lamp, so that you can
see the shifts in value from light to dark on the
objects, as well as on the cast shadows.
T I P
If you choose to use a limited palette, try to experiment with
color rather than black paint to darken the colors. For my
painting, I used only blue, sepia, and white. You can also
choose two complementary colors like blue and orange to create
a neutral darker color to mix with the white. You don’t have
to necessarily blend all the values to create volume, but you do
need to have a full range of value in order to give the objects
a volumetric form.
More about the Quarry book:

One Painting A Day:
A 6-Week Course in Observational Painting--Creating Extraordinary Paintings from Everyday Experiences
by
One Painting A Day offers you an inspiring six-week
course exploring the timeless traditions of observational painting
through daily experience and routine.
This motivational guide is
broken up into three parts to focus on the three major traditions of
observational painting: still life, landscape, and portraiture. Each of
the 42 daily exercises launches a small, immediate, and responsive
painting based on a theme drawn from your daily experience. You will
find suggestions on technique, approach, and materials for each day,
while the “weekly lessons” explore a format or a rhythm for creating
content, inspiring you to make the ordinary extraordinary as you create
from every day experience. This beautiful collection of contemporary
paintings serves as a workbook of ideas for aspiring artists, art
students, professional designers, and art lovers alike.
Timothy Callaghan is a painter who lives and works in Cleveland, OH. He
received an MFA from Kent State in 2005 and a BFA from The Cleveland
Institute of Art in 1999. Presently, he is a visiting professor at
Oberlin College and an adjunct faculty member at the Cleveland Institute
of Art and Cuyahoga Community College. Callaghan has exhibited his work
in Washington, D.C., Philadelphia, and New York City. The Cleveland
Clinic and the Cleveland Art Association have collected his work, and he
is represented by William Busta Gallery in Cleveland. Visit him online
at http://www.timothycallaghan.com and http://timothycallaghan.tumblr.com.
